When Jonas Armstrong was collecting
his BASSC Certificate in Stage Combat at drama school, little did he
know that those skills would one day come in handy to land him his
biggest role yet.
As legendary English folk hero Robin Hood, Jonas battles the evil
Sheriff of Nottingham and his cronies in action-packed scenes of
scintillating sword fighting and breathtaking archery. But with a mere
whirlwind week to prepare for filming, he was thankful he'd paid
attention to his combat lessons at RADA.
"When I got the job I was over in India filming," Jonas reveals to Judy
Leighton, adding that he almost didn't bother going to the audition as
he was due to leave for India just a few days later - and he didn't
think he stood a chance anyway! Luckily his agent convinced him to turn
up and his low expectations even helped.
"I wasn't as nervy as at some auditions and I think that put me into a
good mindset because I didn't have the pressure. Then when I got the
part I was amazed - gob smacked even - but ecstatic because it's such a
well-known and well-loved character, everybody knows Robin Hood."
But being fully occupied in India, there weren't many opportunities for
Jonas to brush up his archery and sword-fighting skills, although he
was able to do some training.
"I was in the gym every day - I have quite a slight build anyway so I
was trying to eat a lot more and go to the gym and go swimming," says
the six-foot-tall actor. "Once I got to Budapest [where Robin Hood is
filmed] we just had a week until filming started. We were on the horses
every day and practising archery and sword fighting and unarmed combat
every day, so it was quite difficult. Then at the end of the week they
threw me a sword and said, 'Right, now look amazing with it!'"
And it's not just any old sword, either. "It's a Saracen sword from the
Middle East, so there's a very specific way of fighting with it," Jonas
explains. "I think I've really come on with it over the series."
The 25-year-old, who was born in Ireland but grew up in St Annes in
Lancashire, is also now a bit of an expert horseman too. "It's a really
good buzz when you're stuck on a horse and told to fly around
one-handed with a bow in one hand, shouting orders - that's brilliant
and I really enjoy that," he grins engagingly. "They give me free rein
on a horse now because I have got to be on them a lot more, so they
gave me more time to learn and paid extra attention to me. I'm the only
one who is allowed to gallop on a horse!"
That's the special status reserved for the hero - though Jonas says
that in this version of the robbing-from-the-rich-to-give-to-the-poor
legend, Robin isn't always in the right.
"He's a flawed character and he has got downsides to his personality,"
admits Jonas. "He's not just this do-gooder who hasn't got a bad bone
in his body - he does have some bad aspects to his personality. He can
be sidetracked and become clouded by his own agenda and his personal
issues, which can strain his relationships with the outlaws. He's quite
an arrogant character, rather vain and he can be self-centred - but
overall the rounded Robin is essentially a very decent, good,
good-spirited person."
Jonas, whose previous TV roles include student Anthony in Teachers and
thrill-seeker Pete in gritty cop drama Ghost Squad, both for C4, admits
he likes Robin's flaws and that they make him a more interesting
character.
"He has to have these darker moments - it makes him human. People may
say he's supposed to be this dashing, swashbuckling hero and he has got
that, but there's another side to him too so hopefully that will come
across as well. It also makes him different to previous Robin Hoods who
have been more out-and-out heroes."
Another surprising aspect of this Robin is that he's also a bit of a
womaniser...
"He does think he's got a way with the ladies!" laughs Jonas, hastily
adding that his old flame, Marian, would certainly not agree.
"She just sees right through it. She says in the first episode, 'Seven
years and you're still peddling the same old drivel - does it ever
work?!' So she's not interested. Their relationship is frosty..."
It seems Marian still hasn't forgiven Robin for deserting her to go and
fight for King Richard.
"They were sweethearts and then Robin went off to fight for King and
country in the Holy Land," Jonas explains. "Obviously Marian was a bit
miffed when he decided to go, going off there for glory rather than
staying with her. He comes back and just thinks he can pick up where he
left off and get her to fall back into his arms but it isn't that easy.
Which makes it all the better! It's about him trying to woo her."
Jonas picks out this storyline as his favourite of the series.
"I think it is a love story," he says adamantly. "There's also the
battle between the good and the bad, the tyrant and the hero, which is
obviously Robin and the Sheriff, and there's loads of action that will
engage an audience - action sequences and fighting and stunts and
everything else; but the love triangle between Sir Guy of Gisborne,
Marian and Robin is the most obvious through line of the whole thing, I
think, and the one I tried to concentrate more on."
And it's not just a straightforward choice between hero and villain for
Marian.
"Gisborne is a better prospect because he has security and wealth.
Robin would have had that but he decided to become an outlaw when he
came back," explains Jonas. "But hopefully the viewers will go, yes
Gisborne has got all that but he hasn't got the thing that Robin has
got, which is the excitement that he can give her and also, of course,
the love - she doesn't love Gisborne, she just sees him as a
breadwinner."
Back in the actual time of the story, though, Marian wouldn't have had
much of a choice - in those days it was the men who decided. But the
legend has been updated to appeal to today's more sophisticated
audience and, says Jonas, is quite modern in its feel. Its contemporary
slant has led to it being dubbed Robin Hoody - much to Jonas's
amusement.
"People have been on about this but I thought it was obvious to have
Robin Hood in a hood - that's his name!" he says wryly. "I always
thought that he would have a disguise, and that's the hood."
But while the series threatens to make the hoody trendy again, this may
not yet be rehabilitation for the much-maligned garment. As Jonas adds
with a twinkle, "Don't forget, he is an outlaw!"